“!CACTUS #RAID” THIS ARTWORK RESEARCHES THE BACK-HAND PROGRAMMING OF A MONOTONOUS IMAGE WITH THE SPIRIT OF SHOWING DECENTRALIZATION AND PARTICIPATION OF VARIOUS AURAS TOWARDS A UNIQUE GOAL ON A LARGE SCALE.   AFTER FINDING A RANDOM STOCK LANDSCAPE IMAGE ONLINE, A NEW RE-INTERPRETATION IS MADE WITH DOTS TEXTURE. AS AN EXPRESSION, THAT STRICT REGULAR ARRAY OF BUBBLES IS THE LIMIT OF WHAT'S ENOUGH TO TRANSMIT A UNIVERSAL MESSAGE WITH A JPEG. THE CHAOS WITH THE ORDER INSIDE EACH DOT MIGHT BE UNRECOGNIZABLE FROM A DISTANCE RATHER THAN A DESERT LANDSCAPE WITH INVERTED COLORS; HENCE, EACH "INDIVIDUAL" HAS A DIVERSE CENTER FOR ITS OWN. THE COMPOSITION COMES INTO EXISTENCE WITH 18550 DIFFERENT EMOTIONAL VARIATIONS OF DIGITAL CHAKRAS. NONETHELESS, THIS STATED ESSENCE OF DECENTALISATION UNDER A "VISION" MIGHT BE THE PLOT TWIST BY CRITICIZING THE MAIN PROBLEM OF DIGITAL COMMUNITIES ON DISCORD, TELEGRAM, OR ELSEWHERE; THE CENTRALIZATION UNDER A COMMON GOAL. WHO DETERMINES THE MOST APPROPRIATE FOCAL POINT FOR COMMUNITIES? THE COMMUNITY MAKERS. IN THE CONTEXT OF THIS ARTWORK, IS IT REASONABLE FOR 18550 UNIQUE INDIVIDUALS TO UNITE UNDER A RANDOM CONTENTED LOYALTY-FREE INTERNET PICTURE? THE MAJORITY OF PEOPLE MAY UNDENIABLY BELIEVE IT IS. EVEN ARTISTS EFFORT AND STRIVE TO CREATE NON-STOP, AND THE CURATORS PUT THEM IN AN EXCELLENT HABITAT IN WHICH THEY MAKE SENSE TOGETHER TOO; FOR THE MOST PART, THE DIGITAL COMMUNITIES THAT HAVE SPRUNG UP OVER THE PAST YEAR HAVE BEEN PURELY MATERIALISTIC, WITH MEMBERS JOINING PRIMARILY TO TRADE AND "FLIP." I BELIEVE WE REQUIRE SOMETHING MORE THAN A CACTUS, ALTHOUGH IT APPEARS TO BE AESTHETICALLY PLEASING OR WORTH FOLLOWING THROUGH THE INSISTENT DICTATION OF "MAKERS."

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100 X 150 CM, DIGITAL MEDIUM